Dual Deep Blue Delay, PT2399 Twin Circuit, Silver Flake Red Nitro

Description

Description of Product

This one came from pushing the same question a step further.

Not just how a delay sits, but what happens when you stack two that behave properly.

Two full Deep Blue Delay circuits in one enclosure. Each one built and set the same way as the single units from the video. No shortcuts taken to make them share space. They are separate paths that happen to live together.

The enclosure is finished in silver flake over red nitrocellulose. It shifts under light. Looks flat until it moves, then it does something else entirely. It will mark over time. That is part of it.

Layout matters more here than usual. Two delay lines can get messy quickly if they are not kept under control. The wiring is kept open and readable. The intention is that each side can be used on its own, or pushed into the other without losing where the note sits.

Three were built.

This exists because one felt right, and two opened something else.

Description of Sound

On its own, each side behaves the same as the single build.

The repeat sits behind the note. Timing feels stable. Nothing pulls forward.

The second side is where it changes.

You can set one short and one longer, and they do not collapse into each other. They stay separate. That is the part most delays struggle with. It usually turns into a wash.

Here it layers instead.

The first delay holds the note in place. The second adds space around it. You still hear where you played. That does not disappear.

With both sides up, it does not feel like more delay. It feels like depth.

Back the guitar off and it cleans with it. Push the front end and it does not smear. It keeps its place.

It behaves more like two players answering each other than one effect repeating itself.

Three were built alongside the single units.

Two full delay circuits in one enclosure, finished this way.

It will not be repeated exactly.

If that behaviour is what you are listening for, it is available.